In September 2009, she recorded a duet with Harry Connick, Jr. for the French edition of his album Your Songs. They sang The Beatles' song "And I Love Her".[24] The album was released in France on 26 October 2009.[25]
He recorded songs for over a thousand Hindi films and in many Indian languages as well as some foreign languages, though primarily in Urdu and Punjabi, over which he had a strong command. He recorded as many as 7,000 songs throughout his career, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, he also sang in some foreign languages, including English, Farsi, Arabic, Sinhala, Mauritian Creole, and Dutch.[10]
Riwayat Sang Kala Pdf 23
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Mohammed Rafi was the second eldest of six brothers born to Allah Rakhi and Haji Ali Mohammad in a Punjabi Jat Muslim family.[11] The family originally belonged to Kotla Sultan Singh, a village near present-day Majitha in Amritsar district of Punjab, India.[12] Rafi, whose nickname was Pheeko, began singing by imitating the chants of a fakir who roamed the streets of his native village Kotla Sultan Singh. Rafi's father moved to Lahore in 1935, where he ran a men's barbershop in Noor Mohalla in Bhati Gate.[13]Rafi learnt classical music from Ustad Abdul Wahid Khan, Pandit Jiwan Lal Mattoo and Firoze Nizami.[14] His first public performance came at the age of 13, when he sang in Lahore featuring K. L. Saigal. In 1941, Rafi made his debut in Lahore as a playback singer in the duet "Soniye Nee, Heeriye Nee" with Zeenat Begum in the Punjabi film Gul Baloch (released in 1944) under music director Shyam Sunder.[15] In that same year, Rafi was invited by All India Radio Lahore station to sing for them.[16]
Rafi appeared in two movies. He appeared on the screen for the songs "Tera Jalwa Jis Ne Dekha" in film Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in the Film Jugnu (1947).[16] He sang a number of songs for Naushad as part of the chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with K. L. Saigal, from the film Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) and a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka". After partition, Rafi decided to stay back in India and had the rest of his family flown to Bombay. Noor Jehan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi.
Besides K. L. Saigal, whom he considered his favorite, Rafi was also influenced by G. M. Durrani. In the early phase of his career, he often followed Durrani's style of singing, but later evolved his own, unique style. He sang with Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).
Rafi associated with several of his contemporaries, singing duets with them and sometimes for them (as in case of Kishore Kumar who was also an actor).Rafi sang the highest number of duets with Asha Bhosle (female), Manna Dey (male) and Lata Mangeshkar (female).
In the song "Humko Tumse Ho Gaya Hai Pyaar" (Amar Akbar Anthony), Rafi sang one song with Kishore Kumar, Lata Mangeshkar, and Mukesh, the most legendary singers in Bollywood. This was probably the only time that all of them rendered their voices for one song.[30]
Rafi sang frequently for all music directors during his lifetime, including C. Ramchandra ,Roshan, Jaidev, Khayyam, Rajesh Roshan, Ravindra Jain, Bappi Lahiri, Sapan Jagmohan,T.V.Raju,S.Hanumantha Rao etc. He had a special and major association with Usha Khanna, Sonik Omi, Chitragupta, S.N. Tripathi, N. Datta and R.D. Burman. He also sang for many small time and lesser-known music directors. Many for whom he sang for free while making their compositions immortal; he selflessly believed in financially assisting producers and helping small-time projects who could not afford much. Many in the industry received regular financial help from Rafi.[31]
Rafi sang several songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro. He recorded many private albums in various genres and languages. Rafi recorded Hindi songs in English on 7" release in 1968. He also sang 2 songs in Mauritian Creole while on his visit to Mauritius in the late 1960s.
In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu.[39] Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977) and Amar Akbar Anthony (1977).[40] In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R. D. Burman.[23] He was nominated as the best singer at the Filmfare Awards for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).
Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.[41] Some of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls.
Having almost no support, he wore a payal (anklet) to give the effect of kartal (cymbals), played his harmonium and sang his heart out for 16-18 hours on a daily basis before more devotees got inspired and assisted him. In initial days, there was no mridanga player so Aindra Prabhu would ask any vrajvasi baba visiting mandir for taking darshan of Radha Shyamsundar to play mridanga with him. The baba would be like, "but I don't know how to play it." Aindra Prabhu was like, "Just beat it however you like or do dum dum dum". That's how the 24-hour kirtan restarted!
Mikhail Tal sedang berpikir keras. Fide.com Ia berhasil memenangkan medali emas dalam tiga Olimpiade Mahasiswa tanpa tersentuh kekalahan. Selain itu, ia juga berhasil memenangkan kejuaraan catur Soviet pada tahun 1957 dan 1958.
Puncaknya, ia dinobatkan sebagai juara catur dunia yang kedelapan pada tahun 1960 silam. Tal merupakan juara dunia termuda kala ia masih berusia 23 tahun sebelum dipecahkan pecatur legendaris asal Rusia, Garry Kasparov, (22 tahun).
Dari 23 Oktober 1973 hingga 16 Oktober 1974, ia berhasil memainkan 95 partai tanpa kekalahan. Rekor itu tak mampu diusik pecatur lain, sebelum kemudian dipecahkan pecatur China, Ding Liren, yang tak pernah kalah selama 100 laga.
Masih di kalangan bani Israel, Nabi Ilyas menghadapi kaum yang gemar menyembah berhala bernama Ba'al. Meski telah menerima dakwah dari Nabi Ilyas, mereka tetap ingkar hingga Allah pun menurunkan azab berupa kekeringan yang panjang.
Nabi Ilyasa adalah anak angkat dari Nabi Ilyas. Nabi Ilyasa diberikan tugas untuk melanjutkan dakwah dari sang ayah untuk Bani Israil. Satu di antara mukjizat Nabi Ilyasa adalah menghidupkan orang mati atas izin Allah.
Nabi Dzakaria merupakan keturunan Nabi Daud dan Nabi Sulaiman. Tak banyak kisah mengenai Nabi Dzakaria, namun menurut beberapa riwayat, Nabi Dzakaria juga memiliki sikap yang rendah hari dan selalu bersyukur kepada Allah. Seperti Nabi Ibrahim, Nabi Dzakaria mendapat keturunan saat usianya tak lagi muda.
Saat Mehmed berusia sebelas tahun, dia dikirim untuk memerintah Amasya, sesuai tradisi Utsmani untuk mengutus para şehzade (pangeran) yang sudah cukup umur untuk memerintah di suatu wilayah sebagai bekal bila naik takhta kelak. Murad juga mengirimkan banyak guru untuk mendidik putranya, di antaranya adalah Molla Gürani. Syaikh Muhammad Syamsuddin bin Hamzah, salah satu ulama berpengaruh kala itu, juga menjadi guru dan orang dekatnya, membuatnya sangat mempengaruhi Mehmed sejak usia muda, utamanya dalam masalah pentingnya penaklukan Konstantinopel.
Setelah mengadakan perjanjian damai dengan Kadipaten Karaman di Anatolia pada 1444, Murad yang sebenarnya lebih tertarik dalam masalah agama dan seni daripada politik turun takhta dan menyerahkan kepemimpinan negara kepada Mehmed yang saat itu masih dua belas tahun. Dengan keadaan seperti ini, wazir agung (perdana menteri) saat itu, Çandarlı Halil Pasya, memiliki kendali kuat atas negara. Halil Pasya sendiri berasal dari keluarga Çandarlı, salah satu keluarga paling berpengaruh dalam sejarah Utsmani (selain Wangsa Utsmaniyah sendiri) yang telah berhasil menciptakan politik dinasti dalam negara. Meski begitu, pengaruhnya tersaingi oleh Syaikh Syamsuddin yang sangat dekat dengan Mehmed.
Konstantinopel, kota yang didirikan Kaisar Romawi Konstantinus Agung pada 330 M, merupakan salah satu kota termasyur di dunia kala itu. Di dunia Kristen, kota ini menjadi yang terdepan dalam segi kebudayaan dan kesejahteraan, utamanya pada masa Wangsa Komnenos.[1] Sebelas abad berikutnya, berbagai upaya penaklukan kota ini dilakukan oleh banyak pihak. Para pemimpin Muslim dari generasi ke generasi, diawali Mu'awiyah bin Abi Sufyan, juga termasuk mereka yang berusaha menaklukan Konstantinopel, meskipun semua upaya itu gagal. Meski begitu, sebelum tahun 1453, hanya satu kali kota ini berhasil diduduki, yakni pada masa Perang Salib Keempat. Pasukan Salib menduduki Konstantinopel dan mendirikan Kekaisaran Latin (Romawi Timur Katolik) pada 1204. Pasukan Salib menghancurkan berbagai hal di kota yang sebelumnya menjadi pusat agama Ortodoks ini. Hagia Sophia menjadi tempat mabuk-mabukan, berbagai bangunan sekuler dan keagamaan (gereja dan biara) tidak luput dari pengrusakan, para biarawati diperkosa di biara mereka, dan orang-orang yang sekarat terbaring sampai mati di jalan-jalan.[2] Para bangsawan Romawi Timur Ortodoks kemudian mendirikan pemerintahan darurat di tiga tempat, Nicea, Trebizond, dan Epirus. 2ff7e9595c
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